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kush audio tweaker

Kush Audio Tweaker. To achieve such extremes, Tweaker stretches and expands the range and function of its traditional compressor controls, then breaks new ground with a radical and innovative ‘Sidechain Shaper’ section. A pair (2) of Kush Audio Tweaker Compressors.100% functional. Share Quote. Summary of Contents for KuSh Audio TWEAKER Page 2 Behold UBK’s shamelessly self-serving claim #327: the Tweaker can replicate, with extraordinary authenticity, all of the above compressors doing the things they do best; it can also do a lot of things none of them can. Kush Audio Tweaker Compressor. In fact, to achieve great-sounding results it’s not even necessary to apply any gain reduction — the Tweaker can be used to introduce nice, musical-sounding, distortion to fatten things up, ranging from subtle saturation right up to a heavy full-on punk grime. Tweaker sports eight hi-torque, twenty-one step pots for precision matching and recall. In really great shape.I have the original boxes I will ship with. Turning the Contour control counter-clockwise has the opposite effect, boosting the compressor’s sensitivity to the low-mids and bass while disregarding the upper-mids and HF. Prime Cart. You can use the presets as is, use them as a starting point, or go from scratch, knowing that you have a level of control not typically available in a dynamics processor. Use it on bass, guitars, vocals, drums and more and Tweaker … Internally, the Tweaker is built to high standards, with conventional components laid out spaciously on a large circuit board that covers the unit’s entire floor area. The advantage of this dual-release system is that it retains the dynamic punch of a fast release while simultaneously avoiding any hint of pumping, the combination providing a very transparent compression effect. Mix control for parallel processing effects. In fact, my bench tests suggested the minimum is closer to a very gentle 1.25:1 and the maximum ratio nearer 15:1. Will M-Audio ever support midisport in Catalina? The lowest ratio is roughly 1.25:1 and the highest about 15:1.Attack and release time constants are set with a pair of detented rotary controls on the right-hand side, and the control ranges are far wider than most compressors. Kush Audio Tweaker When you buy products through links across our site, we may earn an affiliate commission. When fully clockwise the side-chain’s frequency response is similar to the Treble-Smash option, except that the HF part of the curve is a shelf instead of a bell, and not quite as intense. Everything Kush Plugins Sly-Fi Plugins Analog Gear Subscribe. 19" Rack Discrete-VCA Mono Compressor ; High torque 21-step fully detented pots ; Unique 'Sidechain Shaper' focuses compression on desired frequency bands ; Curve: simultaneous ratio and … A second, smaller board sits behind the front-panel controls and is linked to the main board via five short ribbon cables. VAT : 1 550 EUR: Price incl. Account & Lists Returns & Orders. With the Contour control at the 12 o’clock position the side-chain response is completely flat, and works like any other generic compressor. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be — smooth & polished or dark & filthy, subtle & delicate … The detented action on the rotary controls allows reasonably accurate replication of control settings, which is helpful when trying to dial in the various ‘analog preset’ examples provided by Kush to emulate the characteristics of many classic compressors like API’s 2500, Valley People’s Dynamite, Universal Audio’s LA-2A, and several others. The top purple line is with the unit bypassed (1:1 ratio), and the others were taken at alternate click stops on the Curve control. An Extremely Modern mono compressor that combines the versatility of a plugin with the soul of vintage hardware. 6 years ago. 0 KUSH get more vibe in your music. Treble Smash: the Treble Smash mode increases the compressor’s sensitivity to upper-mid frequencies centring on 8kHz, while simultaneously decreasing its interest in the lower-mid and LF. The former dissuades the compressor from acting on the very lowest frequencies, so it largely ignores the kick drum and other extreme low-end instrumentation. 21% VAT : 1 876 EUR: Dostupnost: skladem u dodavatele: How much is 13 + 7? Kush have a knack of making forward-looking products that exude vintage vibe — and this remarkable compressor is no exception. The green line is the flat response from the control’s central position. Room treatment and monitor speakers suggestions. It’s a remarkably powerful but easy-to-use tool, and the Treble-Smash option is even more powerful for taming a strident high end in a very ‘analogue’ kind of way. The 300Hz option desensitises the compressor to everything from the low-mids down, so that it reacts mainly to the upper mid-range energy and largely leaves the warmth and fullness character elements within the track alone. Although very simple in concept, this is a surprisingly effective way of focussing the compressor’s attention on the parts of the spectrum that need reigning in. Kush Audio UBK Tweaker, in original box - Paid $1,500 brand new from Sweetwater..A few months old been sitting in closet unused..Took out of box for pictures..Excellent condition You may have already heard musings about how this device is a "Swiss Army Knife." Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be: smooth & polished or dark & filthy, subtle & delicate or fierce & explosive. Yet, I’ve never come across a device which has built in anything like the extreme versatility and flexibility of the Tweaker. An inspired and innovative single-channel compressor that offers many interesting and creative sound-shaping possibilities. The Kush Audio Tweaker is a single-channel VCA dynamics processor. The final option engages the insert return on the rear panel, allowing an external equaliser (or any other kind of processor) to shape the side-chain control signal, or to use an external audio (key) signal to control the amount of compression. The handbook confusingly suggests the second yellow LED corresponds to -16dBFS — such an alignment, of course, depends entirely on an external A-D converter’s calibration and it’s a complete nonsense to quote digital levels in an all-analogue product! The transitional ‘knee’ as the compression is introduced becomes sharper with increasing ratios, too: starting off with a very slow and gentle knee for the most placid transition into compression, becoming sharper as the ratio increases to give a more pronounced entry into high-ratio compression/limiting. Tweaker IDM - Treble Softening by The House of Kush published on 2015-05-31T08:09:29Z This is Tweaker's Treble Smash mode doing what it does best: softening, thickening, and sweetening the aggressive treble that often accompanies heavy processing, especially from plugins. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be — smooth and polished or dark nad filthy, subtle and delicate or … It is a versatile Side Chain Shaping Compressor. Tweaker is an old soul with a post-modern brain. If the Mix control is set ‘fully wet’, the Output level does genuinely control the Tweaker’s overall output level, but if the Mix control is used to bleed some direct signal into the mix, the overall output level depends on the precise combination of the current input level, the position of the mix control, and the Output setting. No issues. There’s a learning curve to climb in mastering its use. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be — smooth and polished or dark nad filthy, subtle and delicate or fierce and explosive. Compression Curves: a transfer plot illustrating the range of compression ratios on offer. smooth and polished or dark and filthy, subtle and delicate or fierce and explosive. Reincarnating these devices from decades past has its merits, of course, not least in allowing easy and affordable access to characterful sound processing when the original hardware might be financially out of reach or technically unreliable. What Key do you put your vocals in when using Auto Tune... Off the shelf laptop for hobbyist music prod duties? The fastest attack time is easily capable of generating significant transient distortion if you’re not careful, but it is also extremely powerful for transient shaping, really clamping down on the front edge of a percussive signal, or allowing it to punch through. This really is a unique and wonderful product. 44 votes, 11 comments. Although I found the range of ratios to be lower, overall, than the manufacturer’s claims, I think this is to the Tweaker’s advantage, particularly if used for stereo mix-bus processing where a minimum of 2:1 is often too harsh. Kush Audio Tweaker Sidechain Compressor: Amazon.com.au: Musical Instruments. UBK leveraged this design to give you his 'analog presets', which precisely emulate his favorite tricks from compressors as varied as the LA-2a, Distressor, API 2500, and even the absurdly eccentric Valley People Dynamite*. Buy Kush Audio Tweaker Sidechain Compressor: Compressors, Limiters & Gates - Amazon.com FREE DELIVERY possible on eligible purchases The Tweaker by Kush Audio. Compression Curves: a transfer plot illustrating the range of compression ratios on offer. 01234 780 … This EQ curve is apparently based on the company’s Clariphonic EQ (http://sosm.ag/sep11-kush-clariphonic), and is intended to make the compressor much more sensitive and reactive to transient detail, like the brashness of cymbals, the brittleness in high strings or acoustic guitars, or the harshness of some vocals. Kush Audio Tweaker Sidechain Shaping Compressor | Sweetwater 210k members in the audioengineering community. There’s nothing particularly exotic in the active componentry, with mostly RC4558, LM301 and (one) TL072 op-amps in evidence. The lowest ratio is roughly 1.25:1 and the highest about 15:1. Mirroring the Tri-meter’s circular layout on the left-hand side are two unmarked push-buttons (each with a pair of status LEDs), and it turns out that the top one powers the Tweaker on-off, while the bottom one applies a relay-switched bypass. The Tweaker is a dynamics processor rather than a simple ‘compressor’ and I’m encouraged that new devices are being introduced to the audio industry with such creative innovation and potential. 4.65 out of 5, based on 2 Reviews. Initially, I found this Tri-meter configuration caused a bit of a visual overload, but it’s logical enough and I soon got used to it. A second quarter-inch TRS socket enables side-chain linking so that two Tweakers may be used on stereo material with shared control voltages to ensure stable stereo imaging. The Tweaker is a compressor that takes some time to master, but the journey is well worth it because this is an extraordinarily versatile processor. However, turning the knob clockwise makes the Tweaker more responsive to the upper-mid and treble content while simultaneously reducing sensitivity to the low-mids and bass. Tweaker is an old soul with a post-modern brain. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be ? There are countless compressors on the market, including many with side-chain filtering and wet/dry mix controls, and a few with user-configurable saturation processing. The inclusion of a mix control works well in this context, allows the source signal to be blended with the processed to restore transients while still benefiting from the powerful up-lift compression. Products, practices, and stories about the profession or hobby of recording … contact downloads manage subscription. The circumferential input and output meters both employ nine small LEDs in conventional green-yellow-red bar-graphs, and, although there are no scale markings, the first yellow LED illuminates around 0dBu and the first red at about +8dBu. The rear panel carries an IEC mains inlet accepting any AC voltage between 110 and 260 Volts, and audio connectivity comprises an electronically balanced input and output, both on XLRs, plus an additional quarter-inch TRS output socket (both can be used simultaneously). Shop. With percussive sources, it can be used to bring out the body and resonance of drums nicely without creating unwanted pumping, and it is fabulous for delivering a responsive but transparent dynamic control without killing the energy. Turning this control clockwise lowers the threshold to achieve more compression. So far, so logical, but a very clever side-effect of using the VCA to provide musical distortion — rather than overdriven input or output buffers as other devices do — is that the level of distortion is inherently reduced when gain reduction is being applied (because the gain of the VCA circuit is lowered). Drive allows controllable distortion that doesn’t kill the transients. Offers an enormously broad sound palette. It can sound extremely transparent and clean, if required, having that kind of see-through finesse of an optical compressor, but it can also add serious attitude and dirt when called for, bounce along effortlessly, and modify percussive sounds in very unusual ways. Marrying vintage electronics with a forward-thinking control set, the Tweaker is sure … Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be - smooth & polished or dark & filthy, subtle & delicate or fierce & explosive. Not surprisingly, the controls are not entirely familiar or intuitive, but thankfully the handbook explains things very well and in considerable detail, and some hands-on familiarity quickly reveals how things work in practice too. The views expressed are those of the contributors and not necessarily those of the publishers. A third control in this section is marked ‘Curve’ and it alters the compression ratio, nominally starting with a gentle 2:1 at the counter-clockwise end, rising to a 30:1 limiting ratio when fully clockwise. The unit clips at around +22dBu and distortion builds steadily above +8dBu. Hear this VCA compressor squash drums and vocals, every setting is used to let you hear the full control it offers. A groundbreaking discrete-VCA compressor with extreme control ranges, Sidechain Shaping, Parallel Compression, & Tri-Metering®. Two more XLRs provide a balanced send-return insert point for external side-chain processing, and although the Send outputs the (processed) side-chain signal at all times, the return only becomes active when selected on the front-panel ‘Sidechain Shaper’ rotary switch. These guys have created a new compressor called “Tweaker.” Apparently you can have your compressor cake and eat it too! Essentially, the ‘grunge’ is applied where it’s wanted, and not where it isn’t, which is a subtle but highly advantageous bonus. Kush Audio Tweaker Discrete-VCA Mono Compressor available to buy from the UK's leading Pro Audio and Studio Installation specialists, Kazbar Systems. Condition is Used. Unusually broad attack and release time ranges. The front-panel controls comprise eight 21-detent pots, a six-position rotary switch and three push-buttons. The cleverness of the Tweaker’s design really lies in its innovative and unusually configurable side-chain section — the ‘Sidechain Shaping’ moniker describes its raison-d’être rather well. Non Smoking Studio! With no gain reduction applied and minimum Drive, the distortion is around 0.01 percent with the output at 0dBu, rising to 0.5 percent distortion at +12dbu, and 1.5 percent at +19dBu. The first three rotary controls, labelled Drive, Output and Mix, may all seem quite conventional but there are some interesting nuances. Reading between the lines, I presume this circuitry is configured along the lines of the famous ‘Blackmer Gain Cell’, a pioneering transistorised VCA circuit developed in 1970 by David Blackmer (the man who also co-founded the Dbx company). I didn't even know this thread had replies! Tweaker … The Tweaker's innovative Sidechain Shaper gives you a fast, intuitive way to sculpt the tone of your compressed signals. Kush Audio. When I'm introduced to a "do it all" box, I get a little anxious thinking about the ramp-up required to get to where I feel comfortable using it … from The House of Kush PRO . In contrast, Gregory Scott’s ‘House of Kush’ products are interestingly innovative and positively encourage user creativity, which I think is to be commended. The unique ‘Sidechain Shaper’ rotary switch is the key to focussing the applied compression on the desired part of the audio spectrum. Next up is an adjustable ‘Edge Contour’ mode, which effectively employs a form of ‘tilt’ EQ in the side-chain. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be - smooth & polished or dark & filthy, subtle & delicate or fierce & explosive. Side-chain-shaping facilities are immensely powerful. The Kush Audio Tweaker is an old soul with a post-modern brain. The green line is the flat response from the control’s central position. The display’s central, vertical gain-reduction meter works with a ‘dot mode’ display (rather than a bar-graph) using six larger LEDs. You may login with either your assigned username or your e-mail address. The Tweaker also caters for external processing of the side-chain signal.Associated with these I/O controls, albeit mounted over on the right-hand side of the front panel, is a rather unconventional ‘Tri-meter’, a circular display of three LED meters which indicate the input, output, and gain-reduction levels, all at the same time. The heart of the Tweaker is its dynamic attenuation element, which is described as a ‘vintage, discrete VCA’, and appears to be built around a pair of LM394 ‘supermatch pair’ transistors. The purple line is at the fully counter-clockwise position where the reverse occurs. With simultaneous Tri-Metering™ of Input/Output/Gain Reduction levels, Single or Dual-stage Release, Wet/Dry Mix, and a unique ‘Curve’ control that sharpens the knee as the ratio is increased, Tweaker is an old soul with a post-modern brain. Here for the gear . Learn more Kush Audio Tweaker. The response is broadly similar to that of the fully clockwise Edge-Contour mode, but with a stronger bell HF response instead of a shelf. And at a maximum of 15:1 the Tweaker can still smash the dynamics with a powerful hard-limiting effect. Again, there’s no decibel scale, but the first green LED illuminates when the gain reduction (GR)reaches about 2.5dB. Kush Audio UBK Tweaker , Mono VCA Compressor with Sidechain Shaper, Outboard . This might seem confusing, but in practice it’s much easier and intuitive to use than it sounds, and this arrangement provides considerable flexibility for fine-tuning the balance in parallel compression configurations. Secondly, the Output level control doesn’t affect the output volume directly; it only controls the signal level leaving the VCA and going into the (wet/dry) Mix control. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be: smooth & polished or dark & filthy, subtle & delicate or fierce & explosive. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. However, the real powerhouse of the Tweaker undoubtedly comes in the form of its side-chain filtering options and, in particular, the Treble-Smash and Edge Contour modes. subscribe museletter. Of course, the Tweaker is a full-band compressor, and once gain reduction is applied it affects the entire spectrum, but if the Threshold control can be said to determine when the compressor acts, the side-chain-shaping controls determine the reason why. This unit has been LIGHTLY USED!! The KuSh Audio Tweaker is an old soul with a post-modern brain. From smooth and polished to dark and dirty this mono compressor can replicate the classic sound of LA-2A, Distressor, API 2500 and Valley People Dynamite compressors easily. I’ve often found the dual-slope auto-release concept to work well, and it is very well judged in the Tweaker. The Kush Audio Tweaker is an old soul with a post-modern brain. Tweaker takes compression to the next level. When switched to the dual-release mode, the gentler part of the recovery slope can be adjusted between 500ms and a positively leisurely 7.5 seconds. The Tweaker also caters for external processing of the side-chain signal. Mode, which effectively employs a form of ‘ tilt ’ EQ in active. 21 % VAT: 1 876 EUR: Dostupnost: skladem u:! Employs a form of ‘ tilt ’ EQ in the active componentry with. Maximum of 15:1 the Tweaker is an old soul with a post-modern brain 4.65 out of,... 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